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Painting with honey watercolors, Part I

If you’ve been reading this blog for awhile, you know that I love M Graham gouache. But, for a completely different reason than anyone else.

I’m nearly blind. I literally need my glasses to find my glasses. Do you remember Velma from Scoobie Doo? If so, you probably remember when she’d lose her glasses. She’d be feeling the floor trying to find them.

That’s me. I can’t see shit without them. I have to feel around the house until I find them.

I cannot drive without my glasses either. No way. I’d kill somebody.

So, what does that have to do with watercolors?

Well, I also have the controversial opinion that high end watercolors are high end watercolors. I’m not a watercolor brand stickler. I’m not a brand stickler for anything though. Guitars. Cars. A good tool is a good tool. The brand is secondary.

Smell

So, going back to not being able to see shit, my other major senses are way better than the average person’s. It’s because I rely on them more.

No matter how beautiful a woman is, if she stinks, that’s three strikes. I can’t get past that.

And on the flip side, I love a good perfume. I only have two bottles of cologne – a Tom Ford and a Versace. Yes, they’re expensive but they make me smell good.

Likewise, a +1 to a woman who knows how to smell good.

Honey based watercolor and gouaches
Honey based watercolor and gouaches

M Graham gouache smells good. So, Blick stores had a killer sale on this French made Sennelier watercolor paints. They’re honey based. So what does Roman do? He buys them.

The next question – how do they paint?

Well, first I have to paint with them. Part II coming up in 30 days as I want serious time with them before an honest review.

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Can Pinup Art be considered High Art?

Where do we draw the line in what is Pop Art vs High Art? Can pinup art be considered High Art?

Serious question.

After all, look at a lot of the Post Modernist garbage. They consider that bullshit high art. And it takes a million times more talent and work to create pinup art than it does that crap.

For instance, can you seriously tell me that this crappy piece called We Are Not Afraid is better than anything done by Boris Vallejo, Mel Ramos, or Frank Frazetta?

We are not afraid – Philip Taaffe 1985

Frankly, I don’t really care for labels. When someone asks what kind of art I do, I tell them Fantasy Pinups. It’s just easier to classify but I don’t by any means believe in limiting yourself to one genre.

Favorites

One day at Barnes and Noble, my wife picked me up a book on Gil Elvgren. I’ve seen his works before. I didn’t know him by name though. My wife knew I liked pinup art.

At the time, I was into photography and shooting nudes of a friend of mine. Several years later, Allie approached me about modeling. Then Roxy did. And I turned from photography to painting.

So I decided to take that Gil Elvgren book seriously. And go back and study the others I really liked from Frank Frazetta to Olivia de Berardinis.

I imitated everyone the best I could until I started developing my own style. I also imitated the Pre-Raphaelites, a subset of Romanticism. They’re actually considered High Art.

Although my own work is Pop Art, I see no reason to move someone like Frank Frazetta into the High Art category. He’s definitely more talented than any Post Modern artist.

But alas, it’s all just labels anyways. It will be interesting to see what people two hundred years from now say. Maybe they’ll throw out all the Post Modern bullshit and buy Frank Frazetta and Olivia paintings for millions. Or at least, a man can hope.